Anthem of the Sun
From Wikipedia, the free encyclopedia
| Anthem of the Sun | ||
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| Studio album by Grateful Dead | ||
| Released | July 18, 1968 | |
| Recorded | September, 1967-March 31, 1968 (original LP) | |
| Genre | Psychedelic rock | |
| Length | 38:57 (original LP); 79:38 (CD reissue) | |
| Label | Warner Bros. | |
| Producer(s) | Grateful Dead and Dave Hassinger | |
| Professional reviews | ||
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| Grateful Dead chronology | ||
| The Grateful Dead (1967) |
Anthem of the Sun (1968) |
Aoxomoxoa (1969) |
Anthem of the Sun is the second studio album by the Grateful Dead, released in 1968. It is the first album to feature their then-new second drummer, Mickey Hart, who had joined the band after sitting in with them a couple of weeks earlier. In 2003, the album was ranked number 287 on Rolling Stone magazine's list of the 500 greatest albums of all time.
Contents |
[edit] Making of the album
The band had entered the American Studios in North Hollywood with the same producer, Dave Hassinger, as their eponymous debut album, in November 1967.[1] However, the Dead were determined to make a more complicated recorded work than their debut release, as well as attempt to translate their live sound into the studio.
The band and Hassinger than changed locations to New York City in December of that year, where they found themselves going through two other studios, Century Sound and Olmstead Studios (both "highly regarded eight-track studios")[1]. Eventually, Hassinger grew frustrated with the group's slow recording pace and quit the project entirely while the band was a Century Sound, with only a third of the album completed so far. It has been reported that he left after Guitarist Bob Weir requested to create the illusion of "thick air" in the studio.[2][3] Hassinger commented that "Nobody could sing [the new tracks recorded in NYC], and at that point they were experimenting too much in my opinion. They didn't know what the hell they were looking for." Garcia noted that "we want[ed] to learn how the studio work[ed]. We [didn't] want somebody else doing it. It's our music, we want[ed] to do it." [1]
The band then recruited their soundman, Dan Healy, to assist them in the studio for the rest of the album and they headed back to San Francisco's Coast Recorders studio. In between the Los Angeles and New York sessions, the band began playing live dates. Lesh commented that this was in part because the songs were not "road tested."[3] Healy, Garcia, and Lesh then took these tapes, recorded by Bob Matthews and Betty Cantor, that were recorded during shows in Los Angeles in November 1967 and from a Northwest tour in late January 1968 and began interlacing then with existent studio tracks.[1] Garcia called this "mix[ing] it for the hallucinations."[3]
Adding to the psychedelic madness on the album was Tom Constanten, a friend of bassist Phil Lesh who joined the band in the studio to provide piano and prepared piano tracks; Constanten would formally join the band in November of 1968. His contributions to the band's sound were always much more evident in the studio than in their live shows, and Anthem of the Sun was no exception. Constanten made it so that the piano pieces seemed like three gamelan orchestras were playing all at once. He even went so far as to use a childs toy top/gyroscope set spinning on the piano soundboard.[3] All in all, the album turned out as psychedelic as intended. The band used a large assortment of instruments in the studio to augment the live tracks that were the base of each song, including kazoos, crotales, a harpsichord, timpani, guiro, and a trumpet. Garcia commented that parts of the album were "far out, even too far out ... We weren't making a record in the normal sense; we were making a collage." [2] In order to get more publishing royalty points on the album, the opening track "That's It For The Other One" was artificially divided into four other "songs" by the band. Robert Hunter, a longtime friend and then-future songwriting collaborator of Jerry Garcia, made his first lyrical contributions to the band, providing Lesh and Pigpen with the words to "Alligator".
Joe Smith, president of Warner Bros. at the time, was noted as calling Anthem of the Sun as "the most unreasonable project with which we have ever involved ourselves."[2]
Early pressings of the album include the phrase "The faster we go, the rounder we get" inscribed on the vinyl in the matrix around the label area.
A remixed version of Anthem of the Sun was issued in 1972 (with the same product number, #WS-1749), and can be identified by the letters RE after the master numbers.
Some of the unedited live recordings done at the Kings Beach Bowl in Lake Tahoe, CA in February 1968 were later released on the live archival recording Dick's Picks 22.
[edit] Track listing
[edit] Side one
- "That's It For The Other One" – 7:40:
- "Cryptical Envelopment (Garcia)
- "Quadlibet For Tender Feet (Garcia, Kreutzmann, Lesh, McKernan, Weir)
- "The Faster We Go, The Rounder We Get" (Kreutzmann, Weir)
- "We Leave The Castle" (Constanten)
- "New Potato Caboose" (Lesh, Petersen) – 8:26
- "Born Cross-Eyed" (Weir) – 2:04
[edit] Side two
- "Alligator" (Lesh, McKernan, Hunter) – 11:20
- "Caution (Do Not Stop On Tracks)" (Garcia, Kreutzmann, Lesh, McKernan, Weir) – 9:37
[edit] 2003 reissue
- "That's It For The Other One" – 7:40:
- "Cryptical Envelopment (Garcia)
- "Quadlibet For Tender Feet (Garcia, Kreutzmann, Lesh, McKernan, Weir)
- "The Faster We Go, The Rounder We Get" (Kreutzmann, Weir)
- "We Leave The Castle" (Constanten)
- "New Potato Caboose" (Lesh, Petersen) – 8:26
- "Born Cross-Eyed" (Weir) – 2:04
- "Alligator" (Lesh, McKernan, Hunter) – 11:20
- "Caution (Do Not Stop On Tracks)" (Garcia, Kreutzmann, Lesh, McKernan, Weir) – 9:37
- "Alligator" (live) (Lesh, McKernan, Hunter) – 18:43
- "Caution (Do Not Stop On Tracks)" (live) (Garcia, Kreutzmann, Lesh, McKernan, Weir) – 11:38
- "Feedback" (live) (Grateful Dead) – 4:01
- "Born Cross-Eyed" (single version) (Weir) – 2:55
[edit] Musical personnel
- Jerry Garcia - lead guitar, acoustic guitar, kazoo, vibraslap, vocals
- Bob Weir - rhythm guitar, 12-string guitar, acoustic guitar, kazoo, vocals
- Ron "Pigpen" McKernan - organ, celesta, claves, vocals
- Phil Lesh - bass, trumpet, harpsichord, guiro, kazoo, piano, timpani, vocals
- Bill Kreutzmann - drums, orchestra bells, gong, chimes, crotales, prepared piano, finger cymbals
- Mickey Hart - drums, orchestra bells, gong, chimes, crotales, prepared piano, finger cymbals
with
- Tom Constanten - prepared piano, piano, electronic tape
[edit] Production personnel
- Grateful Dead - producers, arrangers
- Dave Hassinger - co-producer
- Dan Healy - executive engineer
- Bob Matthews - assistant engineer
[edit] Recording locations
[edit] Studio tracks
- RCA Victor Studio A, Hollywood, CA, September 1967
- American Recording Company, Studio City, CA, October, 1967
- Century Sound Studio, New York, NY, December, 1967
- Olmstead Sound Studios, New York, NY, December, 1967
[edit] Live tracks
- Shrine Exposition Center, Los Angeles, CA, November 10 - 11, 1967
- Eureka Municipal Auditorium, Eureka, CA, January 20, 1968
- Eagles Auditorium, Seattle, WA, January 26 - 27, 1968
- Crystal Ballroom, Portland, OR, February 2 - 3, 1968
- Carousel Ballroom, San Francisco, CA, February 14, March 15 - 17, March 29 - 31, 1968
- Kings Beach Bowl, Lake Tahoe, CA, February 22 - 24, 1968
It is believed that the majority of the live music on the finished record is from the February 14th Carousel Ballroom date. Bonus tracks 6-8 on the 2003 reissue were recorded live at Shrine Exposition Center on August 23, 1968.
[edit] Reissue production credits
- James Austin and David Lemieux - reissue producers
- Peter McQuaid - executive producer, Grateful Dead Productions
- Michael Wesley Johnson - associate producer, research coordination
- Eileen Law - archival research, Grateful Dead Archives
- Cassidy Law - project coordination, Grateful Dead Archives
- Jeffrey Norman - additional mixing on bonus tracks
- Joe Castwirt - mastering, production consultant
[edit] Charts
Album - Billboard
| Chart | Peak Position |
|---|---|
| Pop Albums | 87 |
[edit] See also
[edit] References
- ^ a b c d Garcia: An American Life by Blair Jackson, Penguin Books, 1999, pg. 144.
- ^ a b c Grateful Dead: The Illustrated Trip . Jake Woodward, et al. Dorling Kindersley Limited, 2003, pg. 83.
- ^ a b c d Phil Lesh: Searching for the Sound by Phil Lesh, Little, Brown and Company, 2005, pg. 125.
