Benedetto Marcello
From Wikipedia, the free encyclopedia
Benedetto Marcello (July 31 or August 1, 1686 – July 24, 1739) was an Italian composer, writer, advocate, magistrate, and teacher.
Contents |
[edit] Life
Born in Venice, Benedetto Marcello was a member of a noble family and, in his compositions, is frequently referred to as Patrizio Veneto. Although he was a music student of Lotti and Francesco Gasparini, Benedetto Marcello was intended by his father to devote himself to the law.
Indeed, he combined a life in the law and public service with one in music. In 1711 he was a member of the Council of Forty (in Venice's central government), and in 1730 he went to Pola as Provveditore (district governor).
His health having been "impaired by the climate" of Istria, he retired after eight years to Brescia in the capacity of Camerlengo and there he died.
Benedetto Marcello was the brother of Alessandro Marcello (1669 -1747), also a composer of some note.
[edit] Music
Benedetto Marcello composed a diversity of music including considerable church music, oratorios, hundreds of solo cantatas, duets, sonatas, concertos and sinfonias. Marcello was a younger contemporary of Antonio Vivaldi in Venice and his instrumental music enjoys a Vivaldian flavor.
As a composer, Marcello was best known in his lifetime and is now still best remembered for his Estro poetico-armonico (Venice, 1724-1727), a musical setting for voices, figured_bass (a continuo notation), and occasional soloist instruments of the first fifty Psalms, as paraphrased in Italian by his friend G. Giustiniani. They were much admired by Charles Avison, who with John Garth brought out an edition with English words (London, 1757).
The library of the Brussels Conservatoire possesses some interesting volumes of chamber-cantatas composed by Marcello for his mistress. Although Benedetto Marcello wrote an opera called La Fede riconosciuta and produced it in Vicenza in 1702, he had little sympathy with this form of composition, as evidenced in his writings (see below).
Benedetto Marcello's music is "characterized by imagination and a fine technique and includes both counterpoint and progressive, galant features" (Grove, 1994).
[edit] Writing
Marcello vented his opinions on the state of musical drama at the time in the satirical pamphlet Il teatro alla moda, published anonymously in Venice in 1720. This little work, which was frequently reprinted, is not only extremely amusing, but is also most valuable as a contribution to the history of opera.
[edit] Sources
- This entry was originally based on an entry in the 1911 Encyclopedia Britannica.
- The Grove Concise Dictionary of Music. Oxford University Press, 1994.
[edit] External links
- Free scores by Benedetto Marcello in the Werner Icking Music Archive
- Benedetto Marcello. "The Michelangelo of Music"
