Elton Dean

From Wikipedia, the free encyclopedia

Elton Dean (born October 28, 1945, Nottingham, England; died February 8, 2006) was a jazz musician who performed on alto saxophone, saxello (a variant of the soprano saxophone) and occasionally piano.

In 1966-67, Dean was a member of the band Bluesology, led by Long John Baldry. The band's pianist, Reginald Dwight, afterward combined Dean's and Baldry's first names for his own stage name, Elton John.

Dean established his reputation as a member of the Keith Tippett Sextet from 1968 to 1970, and in the band Soft Machine from 1969 to 1972. Shortly before leaving Soft Machine he started his own group, Just Us. From 1975 to 1978 he led a nine-piece band called Ninesense. His own groups since then, usually quartets or quintets, have most often worked in the free jazz mode, with little or no pre-composed material. At the same time, he has continued to work with other groups that are very composition-based, such as guitarist Phil Miller's In Cahoots, drummer Pip Pyle's Equipe Out, and various projects with former Soft Machine bassist Hugh Hopper.

In 2002, Dean and three other former Soft Machine members (Hugh Hopper, drummer John Marshall, and guitarist Allan Holdsworth) toured and recorded under the name Soft Works. With another former Soft Machine member, guitarist John Etheridge, replacing Holdsworth, they subsequently toured and recorded as Soft Machine Legacy, playing some pieces from the original Soft Machine repertoire as well as new works. Featuring Dean, three albums of theirs have been released: Live in Zaandam (CD, rec. 2005/05/10), New Morning - The Paris Concert (DVD, rec. 2005/12/12) and the studio album Soft Machine Legacy (CD, 2006, rec. 2005).

Dean's last musical collaborations also included those with Soft Bounds (a quartet comprised of Dean, Hugh Hopper, Sophia Domancich and Simon Goubert), Alex Maguire's project Psychic Warrior, and Belgian rock-jazz band The Wrong Object.

Dean's playing style could be equally tonal as scarily atonal; his forays into rock with Soft Machine feature a pioneering use of extreme amplification (particularly the live period between albums Third and Fourth).