Mary Wigman
From Wikipedia, the free encyclopedia
Mary Wigman (1886-1973), born Karoline Sophie Marie Wiegmann, was a German dancer, choreographer, and instructor of dance. Credited for innovation of expressionist dance, and pioneer of modern dance in Germany.
Contents |
[edit] Early days
Karoline Sophie Marie Wiegmann was born on November 13, 1886 in Hannover, Germany. In 1910, she enrolled in School of Rhythmic Gymnastics at Hellerau (outside of Dresden).
At the age of 27 (in 1913), Mary began studying dance at Monte Verita under Rudolf Laban, an important innovator in contemporary dance at the time. Also studied with Émile Jaques-Dalcroze.
[edit] Career
Wigman started a school in Dresden in 1920, which became known as a center for modern dance innovation. Her students and collaborators there included Yvonne Georgi, Hanya Holm, Harald Kreutzberg, Gret Palucca, Max Terpis, and Margarethe Wallmann.
Mary Wigman toured the United States in 1930 with her company of dancers; a school was founded by her disciples in New York City in 1931.
Her schools in Germany were closed during World War II, but she began teaching again in Leipzig in 1948; from 1950 (until her death in 1973), Mary Wigman taught at a studio in West Berlin.
Mary Wigman's choreographies often employed non-Western instrumentation: fifes, bells, gongs, and drums from India, Thailand, Africa, and China. However, the primary musical accompaniment for her most well known dances was percussion, which contrasted greatly with her use of silence. Mary would often employ masks in her pieces, influenced again by non-western/tribal motifs, as well as ecstatic spinning.
Mary Wigman died on September 18, 1973 in Berlin.
[edit] Choreographies
- Witch Dance (1914)
- The Seven Dances of Life (1918)
- Dance Macabre (1923)
- Dance of Death (1926)
- Festive Prelude (1926)
- Celebration (1928)
- Totenmal (1930)
- Sacrifice (1931)
- Maternal Dance (1934)
- Lament for the Dead (1936)
- Rejoice, My Heart (1942)
- Orpheus and Eurydice (an opera)(1947).
- Hexentanz
[edit] References
- Manning, Susan (1993). Ecstasy and the Demon: Feminism and Nationalism in the Dances of Mary Wigman, University of California Press. ISBN 0-520-08193-5.
- Partsch-Bergsohn, Isa and Harold Bergsohn (2002). The Makers of Modern Dance in Germany: Rudolf Laban, Mary Wigman, Kurt Jooss, Princeton Book Company Publishers. ISBN 0-87127-250-4.
- Toepfer, Karl Eric (1997). Empire of Ecstasy: Nudity and Movement in Germany Body Culture, 1910-1935 (Weimer and Now: German Cultural Criticism, No 13), University of California Press. ISBN 0-520-20663-0.
- Wigman, Mary (1975). The Mary Wigman Book: Her Writings, Olympic Marketing Corp. ISBN 0-8195-4079-X.
[edit] External links
- Traude Schrattenecker, a student of Wigman's.
Gilbert, Laure (2000), Danser avec le Troisième Reich, Brussels, Editions Complex, ISBN 2-87027-697-4
Karina, Lilian & Kant, Marion (2003), German Modern Dance and the Third Reich, Berghahn Books, New York & Oxford, ISBN 1-57181-688-7
