Nicholas Roerich

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Guests from Overseas, 1899 (Varangians in Russia)

Nicholas Roerich, (October 9, 1874 - December 13, 1947) also known as Nikolai Konstantinovich Rerikh (Russian: Николай Константинович Рёрих), was a Russian painter and spiritual teacher. He was the father of Tibetologist George Roerich (a.k.a. Yuri Roerich) and artist Svetoslav Roerich. Nicholas and his wife Helena Roerich were co-founders of the theosophical Agni Yoga Society.

Born in pre-revolutionary St. Petersburg, Russia to the family of a well-to-do notary public, he lived around the world until his death in Punjab, India. Trained as an artist and a lawyer, his interests lay in literature, philosophy, archaeology and especially art.

In his early age Nicholas Roerich (Ukrainian: Микола Костянтинович Реріх) had close ties to Ukraine and Ukrainian culture. Influenced by such prominent Ukrainian symphatics of his time as Taras Shevchenko, Gogol, Kostomarov he had recognized Kobzar as one of his favorite books. [1]. His first painting classes N.Roerich got in the same memorial class where Shevchenko did. Inbetween 1903-06 Rerich's drafts Pokrova was implemented in Kyiv region, in 1910 mosaic for Troyicky cathedral in famous Pechersk Lavra.

Roerich's stage-designs for the premiere of Igor Stravinsky's The Rite of Spring, given in Paris in 1913, and based on ancient Russian motifs, were highly innovative and influential. They were an important element in the success and the scandal of this epochal musical event.

He first visited New York City in 1920. After touring the United States, he and his wife settled in the city, founding the Master Institute of the United Arts, They also joined various theosophical societies and their activities in these groups dominated their lives.

After leaving New York, the Roerichs went on the five-years long expedition to India, China, Tibet, Mongolia, with a detour through Siberia to Moscow in 1926. In 1928, they settled in India, where they founded a research center, the Himalayan Research Institute. In 1929 Nicholas Roerich was nominated for the Nobel Peace Prize by the University of Paris. (He received a second nomination in 1935.) His concern for peace led to his creation of the Pax Cultura, the "Red Cross" of art and culture. His work in this area also led the United States and the twenty other members of the Pan-American Union to sign the Roerich Pact on April 15, 1935 at the White House. The Roerich Pact is an early international instrument protecting cultural property.

Saint Panteleimon the Healer, 1916.

U.S. Vice-President Henry A. Wallace was a frequent correspondent and sometime follower of Roerich's teachings, which caused some controversy in the presidential campaign of 1940.

Today, the Nicholas Roerich Museum in New York City is the artistic center of Roerich's work. Numerous Rerikh societies continue to promote his theosophical teachings worldwide. His painting can be seen in several museums including the Roerich Department of the State Museum of Oriental Arts in Moscow; the Roerich Museum at the International Centre of the Roerichs in Moscow; the State Russian Museum in St. Petersburg, Russia; a collection in the Tretyakov Gallery in Moscow; a collection in the Art Museum in Novosibirsk, Russia; the Roerich Hall Estate in Kullu Valley, Himachal-Pradesh (India); in various art museums in India; and a selection featuring several of his larger works in The Latvian National Museum of Art.

A recent source of information about the spiritual journeys of Nicholas and Helena Roerich is a book called "Nicholas & Helena Roerich, The Spiritual Journey of Two Great Artists & Peacemakers" by Ruth Drayer. Also see Jacqueline Decter's biography, "Messenger of Beauty"; Kenneth Archer, "Nicholas Roerich: East and West"; and scholarly articles by John McCannon, as well as his "Searching for Shambhala," in the magazine "Russian Life."