Image:The eight musical modes.png
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The eight musical modes. Created by bdesham with GNU LilyPond and post-processed with GraphicConverter.
The original version of this image was made by en:User:Hyacinth. The fs in the image are those designated by Curtis as "final". The sources listed at that image page are:
- Judd, Cristle Collins (ed.) (1998). Tonal Structures of Early Music. New York: Garland Publishing. ISBN 0815323883
- Liane Curtis. "Mode".
Here's the LilyPond source I used:
\version "2.4.2"
tune = \relative c' {
\clef treble
\key c \major
\time 8/1
% prevent bar number display on the second line
\set Score.barNumberVisibility = #(every-nth-bar-number-visible 100)
d1^\markup{\large{\bold{1. Dorian}}}_\markup{\large{\bold{f}}} e f g a b c d
e,^\markup{\large{\bold{3. Phrygian}}}_\markup{\large{\bold{f}}} f g a b c d e
f,^\markup{\large{\bold{5. Lydian}}}_\markup{\large{\bold{f}}} g a bes c d e f
g,^\markup{\large{\bold{7. Mixolydian}}}_\markup{\large{\bold{f}}} a b c d e f g
\break
a,,^\markup{\large{\bold{2. Hypodorian}}} b c d_\markup{\large{\bold{f}}} e f g a
b,^\markup{\large{\bold{4. Hypophrygian}}} c d e_\markup{\large{\bold{f}}} f g a b
c,^\markup{\large{\bold{6. Hypolydian}}} d e f_\markup{\large{\bold{f}}} g a bes c
d,^\markup{\large{\bold{8. Hypomixolydian}}} e f g_\markup{\large{\bold{f}}} a b c d
}
#(set-default-paper-size "letter" 'landscape)
#(set-global-staff-size 22)
\score {
\new Staff \with { \remove Time_signature_engraver} { \tune }
\layout { }
}
\paper { indent = 0\mm }
 |
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