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Tideland (film) - Wikipedia, the free encyclopedia

Tideland (film)

From Wikipedia, the free encyclopedia

Tideland

Tideland movie poster
Directed by Terry Gilliam
Produced by Gabriella Martinelli
Jeremy Thomas
Written by Tony Grisoni (screenplay)
Terry Gilliam (screenplay)
Mitch Cullin (novel)
Starring Jodelle Ferland
Jeff Bridges
Brendan Fletcher
Janet McTeer
Jennifer Tilly
Music by Jeff Danna
Mychael Danna
Cinematography Nicola Pecorini
Distributed by Revolver Entertainment (UK)
ThinkFilm (USA)
Capri Films (Canada)
HanWay Films (sales)
Release date(s) 9 September 2005 (Toronto Film Festival)
9 February 2006 (Russia, limited)
11 August 2006 (UK, limited)
27 October 2006 (USA, limited)
Running time 122 min
Language English
Budget $12,000,000
All Movie Guide profile
IMDb profile

Tideland (2005) is a film co-written and directed by Terry Gilliam, an adaptation of Mitch Cullin's novel Tideland. The movie was shot in Regina, Saskatchewan in the fall and winter of 2004. The world premier was at the 2005 Toronto International Film Festival, where the film was met with mixed response from both viewers and critics. After little interest from U.S. distributors, ThinkFilm picked the film up for a U.S. release date in October 2006.

Contents

[edit] Film festivals

After the usual amount of mixed reviews that accompany any new Terry Gilliam film, Tideland was awarded the FIPRESCI Prize at Spain's 2005 San Sebastian Festival, selected by an international jury of critics that, in their award statement, said: "Our jury focused on the international competition and found Terry Gilliam's Tideland to be the best film of the selection — a decision which provoked controversial reactions." The jury consisted of Andrei Plakhov, Russia, President (Kommersant), Julio Feo Zarandieta, France (Radio France Internationale), Wolfgang Martin Hamdorf, Germany (filmdienst), Massimo Causo, Italy (Corriere Del Giorno), Sergi Sanchez, Spain (La Razon).

[edit] Film plot

Tideland is a macabre, darkly surreal film about an abandoned child named Jeliza-Rose (Jodelle Ferland). The story centers on Jeliza-Rose's solitary adventures during one summer in rural Texas while staying at a rundown farmhouse called What Rocks, and focuses on the increasingly dark, imaginative fantasy life the girl creates with the aid of dismembered Barbie doll heads that she often wears on her fingertips. With names such as Satin Lips and Glitter Girl, the doll heads not only engage in long conversations with Jeliza-Rose, reflecting different aspects of the girl's psyche, but also act as her companions while she explores the barren Texas landscape.

Before arriving in Texas, Jeliza-Rose's mother (Jennifer Tilly) dies from a drug overdose. Thereafter, her junkie, washed-out rocker musician father Noah (Jeff Bridges) flees with Jeliza-Rose to a remote Texas farmhouse where he soon follows his deceased wife by overdosing. For much of the rest of the film, Noah's corpse remains seated upright in a living room chair with sunglasses covering his eyes. As her father slowly begins to rot, Jeliza-Rose doesn't readily acknowledge his death because she has grown accustomed to him being unconscious for long periods at a time. Instead, she retreats deeper and deeper into her own mind, exploring the tall grass around the farmhouse, relying on her doll heads for friendship as an unconscious way of keeping herself from feeling too lonely and afraid.

During Jeliza-Rose's wanderings, she eventually encounters and befriends her neighbors, a mentally challenged young man called Dickens (Brendan Fletcher) and Dicken's older sister Dell (Janet McTeer) who is blind in one eye from a bee sting. At this point the story begins to unfold, revealing a past connection between Dell and Jeliza-Rose's deceased father. The eccentric neighbors take the girl under their wing, going so far as to preserve Noah's body via the taxidermy process (something both Dell and Dickens have done to their own dead mother). Events take on an even darker tone when Dickens's amorous feelings for the much younger Jeliza-Rose start to creep into their child-like relationship, and it is revealed that the deeply troubled Dickens, a boy-man who once drove a school bus in front of an oncoming train, keeps a stash of dynamite in his bedroom that he intends to use against the Monster Shark he believes is roaming the countryside. The Monster Shark being, in reality, the nightly passenger train that travels past the farmhouse where Jeliza-Rose and her dead father reside.

What follows is literally an explosive conclusion to the film, one which not only frees Jeliza-Rose from her painful isolation but jolts her from the coping-mechanisms of her own imagination, pulling her back into the less fanciful yet equally disturbing real world. Among the wreckage of the passenger train that has crashed near the farmhouse, Jeliza-Rose is rescued by a surviving passenger who assumes the little girl was also a victim of the train wreck.

[edit] Critical and public reaction

Reviews, at least in the United States, have been horrendous slash(/) excellent. Rotten Tomatoes gave it a 25% rating calling it "disturbing and unwatchable". Entertainment Weekly critic Owen Gleiberman called it "gruesomely awful". Many other critics shared his sentiments and added that this is the film that will end Terry Gilliam's career. However, not all critics have hated it, some online critics found the film to be fantastic and Chicago Tribune critic Michael Wilmington liked the film quite a bit, director Terry Gilliam in an interview said that the film has always attributed mixed reactions, some people love it, hate it, or think it's OK. IMDb users have mostly defended the film which has a surprisingly high 7.0 rating considering its somewhat mixed reviews. The film opened with only $7,252 from one theater. The film will expand to smaller theaters in weeks to come.

Received "Two Thumbs Way Down" by Richard Roeper and guest critic A.O. Scott on Ebert and Roeper. Scott said that toward the end, the film was "creepy, exploitive, and self-indulgent" and Roeper said "I hated this film" and "I came very close to walking out of the screening room."

David Cronenberg, the movie auteur, labeled the movie as being a "poetic horror film".

Many indy cinemas are showcasing it is a special event, including IFC Center, an indy cinematheque of art movies and avant-garde productions.

This is Gilliam's 2nd film to receive abysmal reviews. Fear and Loathing in Las Vegas, highly praised by film scholars and cinephiles holds a 39% at the Rotten Tomatoes movie review site; though the film didn't recieve the infamous "Two Thumbs Down!" rating from Siskel and Ebert. Roger Ebert hated Fear and Loathing by giving a one star review, stating "...a horrible mess of a movie, without shape, trajectory or purpose--a one joke movie, if it had one joke. The two characters wander witlessly past the bizarre backdrops of Las Vegas (some real, some hallucinated, all interchangeable) while zonked out of their minds. Humor depends on attitude. Beyond a certain point, you don't have an attitude, you simply inhabit a state". Although if you look at the Ebert and Roeper website, it appears that Gene Siskel gave the film a Thumbs Up, reasons are unknown since the website only has audio reviews from the year 2000 and over, any year below that belt appears to be missing.

[edit] Movie cast overview

[edit] See also

[edit] External links


Films Directed by Terry Gilliam
Monty Python and the Holy Grail | Jabberwocky | Time Bandits | The Crimson Permanent Assurance | Brazil | The Adventures of Baron Munchausen | The Fisher King | Twelve Monkeys | Fear and Loathing in Las Vegas | The Man Who Killed Don Quixote (unfinished) | The Brothers Grimm | Tideland
In other languages

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