Grafika:Claude Monet, Fishing Boats Leaving the Harbor, Le Havre.jpg

Claude Monet, Fishing Boats Leaving the Harbor, Le Havre
Oil on canvas, 60 x 101 cm - Private collection

This is a faithful photographic reproduction of an original two-dimensional work of art. The original image comprising the work of art itself is in the public domain for the following reason: This image (or other media file) is in the public domain because its copyright has expired. This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years. Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term. العربية | Asturianu | Български | Català | Česky | Dansk | Deutsch | English | Ελληνικά | Esperanto | Español | Euskara | فارسی | Français | Gaeilge | Galego | עברית | हिन्दी | Bahasa Indonesia | Italiano | 日本語 | 한국어 | Kurdî / كوردی | Lietuvių | Magyar | Nederlands | ‪Norsk (nynorsk)‬ | Македонски | Bahasa Melayu | Polski | Português | Română | Русский | Slovenčina | Slovenščina | Shqip | Suomi | Sámegiella | Türkçe | ‪中文(简体)‬ | ‪中文(繁體)‬ | 粵語 | +/- Under United States copyright law, originality of expression is necessary for copyright protection, and a mere photograph of an out-of-copyright work may not be protected under U.S.copyright law. This photograph was taken in the U.S. or in another country where a similar rule applies (for a list of allowable countries, see Commons:When to use the PD-Art tag#Country-specific rules). This photographic reproduction is therefore also in the public domain. العربية | Česky | Deutsch | English | Ελληνικά | Español | فارسی | Français | עברית | Bahasa Indonesia | Italiano | 日本語 | 한국어 | Magyar | Nederlands | Polski | Português | Română | Русский | Slovenščina | Српски / Srpski | Basa Sunda | Türkçe | Українська | ‪中文(繁體)‬ | ‪中文(简体)‬ | +/-

Here Monet has used brush strokes to construct the painting, horizontal strokes used to illustrate the movement and light coming off the water. Vertical strokes to depict the taller objects i the painting, for example the boats and the people, he never mixes the two strokes. also he uses the occasional complementary colour in the boats and background to bring the painting alive against the cold blues. This is a scene of contemporary people, a common theame for the impressionists as at the time they were rejected from the art establishment, forcing them to exhibit as their own group. The conventional 'good' art at the time was featuring a famous or important person and centred around that person so the impressionist were very experimental

Następujące strony odwołują się do tego pliku:

• Claude Monet